randian | 燃点

Tony Albert’s Wonderland throws into question the historical framework of the global misrepresentation of First Nations peoples. >> Read more

It seems a clue is provided in another video work, "Mars" (2016). In it, rootless sand dunes being moved by the wind are even, indifferent, and desolate. >> Read more

Deputy Editor Diane Wong chooses the best shows to see in Beijing now. >> Read more

The first was that we understand our localities better than outsiders do; and the second, was that we know better than the locals how things ought to be. This brings me to reflect again on the anxiety caused by On Practice—Northeast Asia (实践论-东北亚) a year and a half ago; it’s relevance seems pretty clear. >> Read more

This piece of work shows the methodology Liu Xinyi uses to produce knowledge: he glides from one image to another, connecting things that do not belong to the same category. >> Read more

ShanghART is pleased to present ZhaoYang’s solo exhibition: "Zao" by Zhao Yang, on 18th March 2016. >> Read more

[Press Release] Shanxi Oct 19 – Dec 28, 2013 Pékin Fine Arts is pleased to announce its collaboration with and representation of Zhang Xiao. In his first exhibit with the gallery, Zhang opted to present Shanxi (2009), work rarely exhibited in China, taken using a cheap Hong Kong-made, plastic Holga camera. In Zhang’s view, the […] >> Read more

About Jian Ce – Smile Without A Face “SMILE WITHOUT A FACE” is Jian Ce’s second solo exhibition at WHITE SPACE BEIJING, featuring her latest works. For Jian Ce, a young painter, the question of how a painting can reveal itself has become a primary concern. She chose to backtrack to the core of painting […] >> Read more